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Oct 22

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A deeper understanding of antique Victorian furniture begins with some knowledge of the Victorian Era itself, the period of time in which this remarkable furniture was made. The Victorian Era takes its name from Queen Victoria, who ruled in the United Kingdom from June 1837 to January 1901. During Victoria’s reign, the British people grew very prosperous, both through their empire and through industrial progress at home. This prosperity led to the rise of a large and highly educated middle class.

The Victorians were fascinated with novelty, and the era witnessed much conflict with regard to style, including the famous Battle of the Styles, which pitted Gothic against Classical. The Great Exhibition, which took place in London’s Hyde Park from May 1 to October 15, 1851, was the first World’s Fair. It featured the Crystal Palace, which the famous critic John Ruskin, who supported Gothic style, called the epitome of mechanical dehumanization.

The Victorian Era was also greatly influenced by the development of photography, which scholars link to the rise of Impressionism and Social Realism in the latter part of Victoria’s reign.

The decorative arts were characterized by an eclectic revival and influences from Asia and the mid-east. Here at The Antique Victorian Furniture Blog we are particularly interested, of course, in the furniture of the era. No particular style dominated the creation of Victorian furniture. Rather, the designers drew inspiration from Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and other periods.

Gothic and Rococo were perhaps the most popular and common styles. The Gothic style of Victorian furniture, which flourished from approximately 1830 to 1860, follows the design and motifs of churches, with arches, quatrefoils, spires and crockets. Rococo, prevalent in the 1850s and 1860s, is characterized by sinewy curved lines, C and S scrolls, and elements of nature such as leaves, vines and flowers.

On the other hand, one of the most famous Victorian furniture designers, Charles Eastlake, despised Rococo and ushered in an era known as the Eastlake era in response. This was noted for its trend toward less showy and less complicated designs, with more stylized natural elements, shallow incisions and turnings.

It’s important to understand that the styles of antique Victorian furniture vary greatly. It can be a tricky business for the novice collector, especially given that the furniture is rarely labeled and attribution is largely a matter of opinion. I’d recommend that you start by reading a few good books, such as Jeremy Cooper’s Victorian and Edwardian Furniture and Interiors. Pick the brains of people who know the business. Find and observe local auctions that deal in antique Victorian furniture.

And visit websites, like The Antique Victorian Furniture Blog and others that I will point you toward, which are devoted to giving you reliable information and to helping you deepen your understanding and appreciation of this glorious period of the decorative arts.

Thanks for the visit. Hope to see you again soon!

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Oct 31

I ran across this post in a blog aptly named Chair. The blog’s author, Roxanne, takes us a through a step-by-step series of photos as she quite expertly reupholsters a beautiful Victorian chair. We get a lot of good looks at the chair, springs and all. And the finished product certainly looks like a chair that Dresser would have said a user could sit in confidently!

Take a look.

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Oct 30

Have a look at this article from The Metropolitan Museum of Art, about a Victorian chair designed by Christopher Dresser.

The article explains that the chair represents a good example of the changes that took place in the latter half of the 19th century. Interestingly, advocates of the “modern” design considered previous designs, with their excessive, deeply carved decoration not only hard to clean but downright immoral! You can see in the photo of this chair the simple, shallow incisings that characterized much of the furniture of the later Victorian era.

Another intriguing aspect of this short article is its discussion of the friction between Dresser and his famous contemporary Charles Eastlake. Perhaps you didn’t know this, but Dresser called Eastlake “the apostle of ugliness” even though the two of them agreed on many principles. They both disdained heavily carved ornamentation and both stressed functionality.

Evidently though, Dresser was even more interested in functionality than Eastlake, or at least perceived himself that way. He declared that a well-designed chair permitted its user to sit with confidence, unlike those of contemporary designers, including Eastlake himself.

Note the Egyptian and botanical influences in the design of this particular chair. Click here for the article.

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Oct 29

Here’s a post on the House of Lime blog, featuring some excellent photos of Victorian doors. Michelle, the author of the blog, took the photos with a lot of care and attention to detail, including close-ups of doorknobs and doorbells. Her appreciation for bygone craftsmanship is wonderful.

Enjoy the post!

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Oct 28

I bumped into an article written by Frank Herendeen of the Historical Glass Museum in Redlands, CA. The article is about a collection of Victorian knife rests that the museum received for display in September, but it’s also quite informative from a historical perspective, as it discusses the use of knife rests at the Victorian table.

Here are some of the things that Frank tells us.

Knife rests were part of the Victorian convention, along with fish knives, lettuce forks and individual asparagus tongs. Depending on whether the host or the butler did the carving, two large knife rests would reside either at the head of the table or the sideboard.

At the wealthier Victorian tables, each diner would also get a set of knife rests. These rests were frequently of cut glass to match the glassware pattern of the table overall.

Etiquette called for putting your knife on the knife rest as your plate was removed between courses. As you were eating, on the other hand, you put your knife down on your plate, not on the knife rest. And the knife would never be on the rest at the beginning of the meal.

Click here to read the full article and see the photos of the knife rests.

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Oct 27

I had the fortune of stumbling onto an absolutely breathtaking post on the Cote de Texas blog. Joni, the blog’s author, begins by describing the Great Storm of 1900 that destroyed the city of Galveston, Texas. As Joni tells it, Galveston was actually a major city at the time, bigger than Houston. But it has never really recovered from the storm. The photo she shows of Galveston the day after the storm is startling. Total devastation.

Joni then goes on to talk about the revitalization that’s going on in Galveston’s historical neighborhoods, which are full of Victorian homes that survived the storm or were constructed soon after it but later suffered through many years of neglect and deterioration.

She treats us to a stunning gallery of photos of these homes. I cannot do them justice in words. You’re going to have to take a look at them. They’re jaw-dropping, and there are lots of them. The houses that survived the storm wear a special plaque. The picture of the plaque alone gave me goose-bumps.

Take your time with this one and be sure to read Joni’s excellent and well-written commentary on the photos. As a bonus for us, she has some very good shots of the antique Victorian furniture contained in some of the houses. A word of warning: Joni herself doesn’t like Victorian furniture. I do concede, though, that I agree with her when she says a house at the beach needs beachy furniture. Her negative remarks on the furniture also start a lively discussion in the comment area that’s worth a read.

This is a high-quality post on a high-quality blog. Thanks, Joni!

You’ll find the post here.

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Oct 26

I ran into this utterly delightful post in a blog called Rainring. The author of the blog has an eclectic range of interests. He loves antiques and likes to share his experiences with them.

In this post he talks about how he bought an antique Victorian mirror. The photos alone make a visit to the post worthwhile. The detail with the grapes is wonderful. The Victorian mirror measures 1.7 meters wide by 0.8 meters high and is apparently very heavy. The author thinks it was originally an above-mantel piece but isn’t sure.

There are some additional details about how he consulted the universe on whether or not he should buy it. There was some negativity at first, but fortunately the positive sign came through. Click here to get to the post.

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Oct 25

I tracked down an article in the Times Online about London’s upcoming Antiques for Everyone fair. The interest in the article for many of us non-Londoners is not the fair itself, since a trip to London is out of the question. But in its discussion of the health of the antiques market in general and in the investment possibilities that antiques represent.

For example, a Victorian spoon-warmer, which will be available at the fair, is expected to fetch 15,000 pounds. The article suggests that in two to three years, the spoon could be worth 25,000 pounds!

The possibility for investment is actually going to be the biggest draw to the fair, especially given the alternatives available these days. And here’s something else for us. The article puts Victorian furniture in the “upwardly mobile” category.

Click here to read it.

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Oct 24

Here’s a fun little post from the Rocky Mountain Mattress blog about making mattresses for a pair of antique Victorian beds.

It raises an interesting question. If we buy Victorian beds and intend to use them, where will the mattresses come from? Don’t expect your standard sizes to fit!

I’ve linked to the article here both for the sake of its curiosity value and also because it includes some excellent photos of the beds. Note how deep the mattresses are that were custom made for them.

You’ll find the post here.

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Oct 23

I came across this article in the Maine Antique Digest, written by antique collector Ben Mijuskovic. The article deals with the spread of Victorian furniture in America in the 19th century during the Industrial Revolution.

Those who were amassing great fortunes were seeking to establish themselves both through connections to their European heritage and through expressions of individuality. To this end they lavishly furnished their homes according to their own aesthetic.

The Victorian era in America was unfortunately followed by a period of decline, in which Victorian homes with their ornate interiors and furniture were left to decay. But starting around the mid-20th century, as Ben reports, there was a resurged interest and appreciation in the period and an enormous amount of scholarly work has since been produced on it.

I found Ben’s distinction between the curator, the hunter-dealer, and the narcissistic collector of antique Victorian furniture to be especially intriguing.

The article shifts to a description of how Ben and his wife found a Victorian chair, with the head of Shakespeare carved in wood at the top. It includes excellent photographs of the chair, taken from a variety of angles. You can read the article here.

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